Plaza Cinema Dorchester
Lee (2023)
Lee is beautiful, daring, and elusive, as all great art should be. It’s a fitting tribute to a woman whose work exhibited the same qualities. Film Threat. Andy Howell.
Bridport Electric Palace
Fly me to the Moon. (2024)
‘Tatum and Johansson are the stars of the show, oftentimes conveying with a mere look what entire monologues couldn’t have accomplished. These are the two engines propelling the movie into the stratosphere, taking what could’ve been a disposable, forgettable effort and transforming it into an experience that’ll have you floating on air out of the theater … likely as you hum a very apt Frank Sinatra tune to yourself.’ Slash Film. Jeremy Mathai.
BBC iPlayer
The Commitments (1991)
‘Alan Parker’s sexy, hilarious, exuberantly energetic new film, The Commitments, has so much rhythmic juice that it’s nearly impossible to stay in your seat.’ Washington Post. Hal Hinson.
The Queen of Versailles (2012)
‘A succulently entertaining movie that invites you to splash around in the dreams and follies of folks so rich they’re the 1 percent of the 1 percent. It’s like a champagne bath laced with arsenic.’ Entertainment Weekly. Owen Gleiberman.
Amazon
Musica (2024)
‘Música heralds the arrival of a filmmaker, an actor, and a musician worth paying attention to, while also delivering a winning and visually inventive musical comedy.’ Indiewire. Rafael Motomayor.
Netflix
His Three Daughters (2023)
‘The heartbreaking plunge into sisterhood and grief that is His Three Daughters is an intensely composed elegy about the devastating effect of saying goodbye to a parent.’ Screen Daily.
